A Sunday foray to the Peace River at Dunvegan turned into an excellent photo opportunity. The ice was growing frosty crystals, fog had turned to hoar frost, and dropsicles were growing on the undersides of ice shelves above the water.
Ooh, do you expect wolves or dragons to frequent this place? Elves, warriors or witches meeting on the bridge?
How about adding a dramatic angle to dramatic mode on the camera? Oh no! We were all just swept past our last chance at rescue! We’ll be going over the waterfall for sure!
Judy went on a holiday to the mountains of Northern British Columbia, a land clear water, thick forests and ever-changing skies. She found a couple of opportunities to sit outside and paint for a while, coming up with some beautiful scenes that are already sent to the Dawson Creek Gallery’s Members Show. Here’s Pine River:
The Peace Watercolour Society has been enjoying a Christmas get-together for decades. It involves a yummy potluck supper, a good discussion of all things watercolour, and a card exchange. That way, not only are we inspired to paint a card, we get an original watercolour from one of our peers!
This year Judy’s card was inspired by a local scene, the Spirit River itself. The deep blues of the shadowy riverbed look peaceful and mysterious. Whose tracks are those? What goes on down there where nobody goes?
The Peace River rarely freezes over anymore. Instead, large pancakes of ice lazily swirl downstream. Only when you are right above them can you see how fast they are really going, and hear the shushing noises of slush meeting slush. This is Dunvegan Bridge on the Peace River, painted from a photo taken early this year.
Today is a beautiful fall day in the Peace Country; similar to the day Judy created in this painting, Fall Flight. The geese know something is shifty about the weather even though the sun is bright and the ground still warm.
This watercolour was based on a couple of old photos of my Grandfather coming to the Peace Country. That’s him in the red coat. I’m not sure why the wagon wasn’t loaded. They wouldn’t have arrived in the spring during the thaw; perhaps this was an expedition rather than a challenge on the settlement trail. The second photo was of the horses pulling up on the near side of the river. So they made it and continued on with whatever their business was.
The painting was done using Moonglow, except for the red coat. I like the monochrome but I also like the way Krieghoff used bright red so sparingly and so eye-catchingly.